Well that was more work than I thought… This one was a lot of fun but took a long time to record. It’s definitely a challenge for a beginner uke player – with lots of chords, an unpredictable structure, and some little riffs and rhythms that take a bit of practice. Worth it though…
Here’s the chord chart and some tabs for the tricky bits:
I saw Josh Turner’s video of this song, and spent nearly a month figuring it out… here’s my attempt – and a tab that is approximately correct. Josh’s video is below for inspiration / despair…
Edit: I’ve updated my video by combining it with a clarinet take from my old friend Chris! Enjoy!
Jan 2021: I’ve updated the tab with lyrics and chords…
In 2009, Nicky Wire of the Manic Street Preachers hailed “Patience” as:
“the greatest comeback single in history. If Neil Young had written it, people would be calling it a masterpiece.”
https://www.theguardian.com/music/2009/aug/17/pop-hidden-gems-take-that
It’s good pop. It has simple enough chords (with a couple of curveballs to keep you on your toes) but it’s the melody that shines for me. Plus, when you realise it shares the chorus chord sequence with 100+ other pop songs, it’s a no brainer to learn…
The original is in Gm, but I’ve written this arrangement in Em. If you want to play along with Take That, stick a capo on the third fret of the uke.
I’ve done a picking pattern for the verses, although it doesn’t match the guitar part very closely, it does add a bit of interest.
Doing a song called ‘All of Me’ last week just means that we have to do the ‘real’ All of Me this week. This is from 1931 and has been performed by all the jazz greats over the years.
On the uke, it’ll give your fingers a work out, and your jazz chords a stretch. I’ve done an easy chord chart and a ‘proper’ one. The easy chords follow our emergency chord rule: If you’re faced with a ‘jazz’ chord (i.e. with numbers) that you don’t recognise, just strip away the numbers until you get to a chord you do know. e.g. C6 -> C, A9 -> A7 -> A, Dm7 -> Dm, Fm6 -> Fm, Bbmaj13#5b9 -> Bb. The only rule is, you can’t change the fundamental major/minor nature of the chord (don’t let me catch you playing Am instead of A9!)
Following this rule will allow you to play otherwise pretty daunting songs – of course it won’t sound quite as authentic / cool / fancy but it can get you through a song that would otherwise be impossible…
The ‘proper’ chords are played using voicings designed to allow you to play with all strings fretted, giving a much better control over the length that the strings ring on for, and allowing us to do a nice tight staccato quarter note rhythm without too much effort – they’re also meant to be easyish to move between – I use my thumb around the back of the neck and on to the g-string when doing these chords.
One of the latest songs to be called ‘All of Me’ (there are many) I think happens to be an unusually well-written sentimental ballad written by John Legend for his wife-to-be, which took the charts by storm in 2014. Unusually for top-ten hits, it’s a very sparse arrangement consisting solely of Mr Legend’s (nice stage name) voice and piano, and some lyrics broadcasting his love for his fiancee. I didn’t really want to like it, but its simplicity, strong melody, and unusually faithful / monogamous lyrics sucked me in in the end, so here it is for the ukulele.
It starts off with a chord progression that forms the backbone of at least 40+ massive super hits, good start – (vi, IV, I V) in this key Em, C, G, D but then actually does change chord sequence and pattern twice more. The pre-chorus uses Am, G, D then the chorus uses G, Em, Am, C, D – it’s a pleasant run around the chords of G major (in the original it’s actually a semi-tone higher in Ab major) without once straying to any borrowed chords from another key – proof that you don’t have to be a master of music theory, or even ‘know all the chords’, to write or play a hit.
I’ve tried to borrow as much as I can from the piano part for this arrangement, although of course you can get by simply playing the chords. The interlude finger-picking pattern has some difficult rhythms in, to try to match the tasteful sparse piano notes in the original – not sure if I’ve quite succeeded…
I remember hearing this growing up, and assuming it was about a homeless person or tramp or some such – but I recently read that it was probably about John Lennon himself, and the emptiness that he was feeling – sobering stuff.
When I came out to write with him the next day, he was kipping on the couch, very bleary-eyed. It was really an anti-John song. He told me later, he didn’t tell me then, he said he’d written it about himself, feeling like he wasn’t going anywhere. I think it was actually about the state of his marriage. It was in a period where he was a bit dissatisfied with what was going on; however, it led to a very good song. He treated it as a third-person song, but he was clever enough to say, ‘Isn’t he a bit like you and me?’ – ‘Me’ being the final word.
Paul McCartney
Many Years From Now, Barry Miles
Anyhow, it’s a cracker of a song if you have a penchant for melancholic pop (like me)…
You’ll need three major chords (G, C and D), and three minor chords (Am, Bm and Cm) – and the Bm and Cm chords could be a stretch if you’ve not encountered them before – but be adventurous! You can also change the C’s to Cadd9 and the D’s to Dadd4 for a little extra sparkle…
It’s a four chord fun package that was featured in Shrek – what more could you want?
You can add some nice embellishments as well, so there’s plenty of scope for more adventurous players.
This song will really sort out your G major chords, and particularly changing to and from a C major chord.
If you’re like me then the words ‘Mamma Mia’ conjure up images of Queen and Bohemian Rhapsody, rather than musical theatre and Scandi-Pop – but I can dip my toes in the world of well-crafted pop music that is Abba. I taught myself this song just to include in fireside sing-a-longs – but then realised that it’s really an excellently written slice of pop music.
To play the verse you’ll only really need three chords, (C, F and G in this case) – but then the chorus goes through all the minor chords in our key as well (Am, Em, and Dm) along with some brief snippets of Bb, borrowed from the subdominant key – add to this the augmented chords in the intro, and the tasty lead guitar licks scattered around, and you’ve got an interesting song for players of all levels.
At the time of writing it certainly feels like a mad world out there. Sometimes you can’t play happy songs – you just have to play what you feel.
Just the performance video here: